Using the uploaded image as the visual reference, generate a photorealistic intimate editorial portrait with very strong analogue film grain and visual ambiguity. An extreme close-up side profile of a human face, tightly framed from the chin to the closed eye. The head is slightly tilted upward. Eyes closed. Expression serene, inward, detached from the viewer. Two pale flower petals appear in contact with the face — one near the bridge of the nose, one brushing the lips. The flowers must not read as complete objects. Only partial petals and fragments of stems are visible. – No visible beginning of the stems – No visible ending of the stems – No clear attachment point – No readable direction of support The stems should enter and exit the frame softly, partially dissolved by depth of field, grain, and shadow, creating uncertainty about how the flowers are held or suspended. The flowers feel momentary, fragile, and almost accidental — as if caught mid-breath or mid-thought. Skin texture is fully preserved and emphasized: pores, freckles, small moles, uneven tone. No retouching, no smoothing, no beauty finish. Lighting is soft, natural, and directional, coming from the side. Highlights are muted and diffused. Shadows are deep but gentle, shaping the profile without clarity edges. The background is dark, undefined, and grain-heavy, dissolving into shadow with no readable space. Film grain is very strong and organic, resembling high-ISO analogue film or an imperfect fine-art scan. Grain is uneven, tactile, and layered — not digital noise. Slight softness and micro-blur are present, reducing clarity and preventing object sharpness. Color palette is muted and earthy: warm skin tones, off-white petals, deep neutral shadows. Editorial grading with low contrast and soft tonal transitions. Depth of field is shallow and imperfect: – face and petals gently readable – edges and stems dissolve into grain Overall feeling: intimacy, impermanence, fragility, ambiguity, breath, tactile presence. High-end photorealism with intentional analogue imperfections. No stylization, no fantasy. No text, no logos, no watermark.

Prompt

Using the uploaded image as the visual reference, generate a photorealistic intimate editorial portrait with very strong analogue film grain and visual ambiguity. An extreme close-up side profile of a human face, tightly framed from the chin to the closed eye. The head is slightly tilted upward. Eyes closed. Expression serene, inward, detached from the viewer. Two pale flower petals appear in contact with the face — one near the bridge of the nose, one brushing the lips. The flowers must not read as complete objects. Only partial petals and fragments of stems are visible. – No visible beginning of the stems – No visible ending of the stems – No clear attachment point – No readable direction of support The stems should enter and exit the frame softly, partially dissolved by depth of field, grain, and shadow, creating uncertainty about how the flowers are held or suspended. The flowers feel momentary, fragile, and almost accidental — as if caught mid-breath or mid-thought. Skin texture is fully preserved and emphasized: pores, freckles, small moles, uneven tone. No retouching, no smoothing, no beauty finish. Lighting is soft, natural, and directional, coming from the side. Highlights are muted and diffused. Shadows are deep but gentle, shaping the profile without clarity edges. The background is dark, undefined, and grain-heavy, dissolving into shadow with no readable space. Film grain is very strong and organic, resembling high-ISO analogue film or an imperfect fine-art scan. Grain is uneven, tactile, and layered — not digital noise. Slight softness and micro-blur are present, reducing clarity and preventing object sharpness. Color palette is muted and earthy: warm skin tones, off-white petals, deep neutral shadows. Editorial grading with low contrast and soft tonal transitions. Depth of field is shallow and imperfect: – face and petals gently readable – edges and stems dissolve into grain Overall feeling: intimacy, impermanence, fragility, ambiguity, breath, tactile presence. High-end photorealism with intentional analogue imperfections. No stylization, no fantasy. No text, no logos, no watermark.

Negative prompt

Use negative words like “blue” to get less blue color

Details