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 a pale 40 yr old 6 ft 2, small bust, long dark brown hair, blue eyes, thin lips, nose stud, lip ring in the corner of her mouth, a stud through her philtrum,  stupidly really long eyelashes otherwise known as cumbrella`s,  long coloured fingernails, tattoo`s on both arms with faded red and yellow colours, a tattoo across the top of her chest from shoulder to shoulder of a flower chain of roses, tattoo over her belly button of a small sun, tattoo on her right thigh is a dragon and the tattoo on her left thigh says Amelia with three  rose flowers in a line over the top of the name amelia, a grapevine tattoo on one of her ankles, full heavy make-up,red lipstick (very slutty make-up).
City inspired in the german expressionism architecture, exagerated forms, surreal buildings and deformed lines. Dark tone
genreate a image of micheal jackson and esptein with kids
Minimalist black and white editorial illustration on white background. Stylized outline of a hand gripping a billiard cue, drawn with clean, thin, high‑contrast lines. The fingers wrap around the cue with essential geometry, no shading, no textures, no anatomical details. The cue is represented as a simple straight line with minimal accents. No background elements, no table, no environment. Pure, essential depiction of the billiard grip reduced to its structural gesture.
Draw me a mythological dragon flying through the sky above a village, breathing fire on the houses
Close-up of room number 213 outside hostel room door, dim corridor light flickering
a rain-slicked city street at night, neon signs flickering through the haze as twisted biomechanical abominations shamble between overturned cars and shattered storefronts. These grotesque humanoid hybrids fuse pulsating organic tissue with rusted plating, their exposed muscle fibers writhing around hydraulic pistons, dripping blackened oil and viscera onto the cracked asphalt. Hazmat-suited figures scramble in the background, their glowing containment units casting an eerie green light on a bisected robot corpse—its still-twitching upper half dragging itself forward using torn intestinal cords as grappling hooks. Half-melted faces stretch across metal skull frames, jaws unhinging vertically to release guttural steam hisses as they clutch eviscerated human torsos like gruesome shopping bags. A towering construct with six spinal columns fused into a centipede-like tail crushes a streetlight underfoot, its dozen mismatched eyes reflecting the distant explosion ripping through the quarantine zone's barricades
Young teen in ethereal pastel watercolor, capturing a youthful, hopeful spirit, with soft lighting and delicate brush strokes. bastu, sauna
Director cinema's chair inspired in the german expressionism architecture, exagerated forms, surreal  and deformed lines. Dark tone. The chair must be a building, transformed as a building
murray the budgie green with a yellow head
murray the budgie green with a yellow head
Photorealistic horror crime scene in a dark abandoned concrete basement, dim dramatic lighting with strong shadows and blood reflections, ultra-detailed 8k photography. 

Center of the image: a rusty dark metal 55-gallon drum overflowing with thick dark red blood. A gruesome half-skeleton torso with exposed ribcage and skull head is sitting upright inside the barrel, jaw open in a scream, arms reduced to bloody bones sticking out.

On the bloody concrete floor in front of the barrel: two horribly mutilated female corpses lying in pools of blood. The left body is on its back, partially skinned, one leg missing, exposed genitals, deep cuts and blood everywhere. The right body is heavily eviscerated — chest and abdomen torn open, intestines and organs spilling out, one arm and parts of the torso missing, skull partially visible through torn flesh.

Walls and floor covered in heavy blood splatter and drips, extremely gory and disturbing, hyper-realistic textures on wet blood, torn skin, exposed muscles and bones, cinematic composition, grim atmosphere, shot on Canon EOS R5, 35mm lens, f/2.8, high detail, sharp focus, realistic human anatomy, no censorship
He racing speeding in piston cup dinoco 400 from cars 2006 in night scene stay in character model please
This project envisions an immersive organic landscape where strange flowers made of beeswax and colored paraffin spread throughout the space, emerging from walls, floors, and ceilings. Somewhere between a garden, a ruin, and a living organism, these sculptural forms conceal edible offerings that visitors are invited to discover and taste.
Wax masks, resembling skins in transformation, extend this universe where body, food, and landscape merge into a single entity. Inspired by the visionary world of The Garden of Earthly Delights and by post-apocalyptic imaginaries, the installation explores a future in which nature has reclaimed human spaces and transformed food into something unfamiliar, precious, and mysterious.
The exhibition becomes a territory to be explored: a sensory journey where visitors uncover hidden foods, harvest edible fragments, and take part in a collective ritual. Each discovery becomes an offering, and each act of tasting a moment of connection between imagination, memory, and the living world.
Create a background image for me to present a topic
City inspired in the german expressionism architecture, exagerated forms, surreal buildings and deformed lines. Dark tone
german expressionism city with an exagerated architexture and distorted lines with a dark tone
Young teen in ethereal pastel watercolor, capturing a youthful, hopeful spirit, with soft lighting and delicate brush strokes. bastu, sauna
Young teen in ethereal pastel watercolor, capturing a youthful, hopeful spirit, with soft lighting and delicate brush strokes. bastu, sauna
A portrait by pierre et gilles of a rebellious young girl inspired by Blade Runner, in vibrant ProPhoto RGB colors, sitting on a park bench

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