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A fluffy, spherical 𝗣𝗨𝗥𝗣𝗟𝗘 spider stares with a terrified, 𝗱𝗲𝗲𝗿-𝗶𝗻-𝘁𝗵𝗲-𝗵𝗲𝗮𝗱𝗹𝗶𝗴𝗵𝘁𝘀 expression. It has dense 𝗠𝗔𝗨𝗩𝗘/𝗣𝗨𝗥𝗣𝗟𝗘 fur and glassy 𝗧𝗘𝗔𝗟 eyes. The mouth is an anxious grimace showing human-like 𝗪𝗛𝗜𝗧𝗘 teeth with a slight gap, 𝗟𝗜𝗚𝗛𝗧 𝗣𝗨𝗥𝗣𝗟𝗘 gums, and a 𝗣𝗔𝗟𝗘 𝗣𝗜𝗡𝗞 tongue. Six spindly legs have 𝗧𝗔𝗡𝗚𝗘𝗥𝗜𝗡𝗘 upper sections fading to 𝗩𝗜𝗢𝗟𝗘𝗧 tips.

An ornate 𝗚𝗢𝗟𝗗𝗘𝗡 𝗥𝗼𝗰𝗼𝗰𝗼 mirror reflects the spider's calm reflection. An antique 𝗕𝗥𝗢𝗡𝗭𝗘 candelabra casts an 𝗔𝗠𝗕𝗘𝗥 𝗚𝗟𝗢𝗪 with dramatic shadows. A 𝘀𝗽𝗼𝗼𝗸𝘆-𝗰𝘂𝘁𝗲 aesthetic uses 𝗴𝗹𝗼𝗯𝗮𝗹 𝗶𝗹𝗹𝘂𝗺𝗶𝗻𝗮𝘁𝗶𝗼𝗻 to bounce 𝗢𝗥𝗔𝗡𝗚𝗘 light against 𝗖𝗢𝗕𝗔𝗟𝗧 and 𝗗𝗘𝗘𝗣 𝗜𝗡𝗗𝗜𝗚𝗢 shadows. S𝗵𝗮𝗹𝗹𝗼𝘄 𝗱𝗲𝗽𝘁𝗵 𝗼𝗳 𝗳𝗶𝗲𝗹𝗱. 𝟴𝗞 𝟯𝗗 𝗖𝗚𝗜 𝗣𝗶𝘅𝗮𝗿 𝘀𝘁𝘆𝗹𝗲. 𝗖𝗶𝗻𝗲𝗺𝗮𝘁𝗶𝗰, 𝗰𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿-𝗱𝗿𝗶𝘃𝗲𝗻 𝗹𝗶𝗴𝗵𝘁𝗶𝗻𝗴.

Set in a dimly lit attic. Gnarled 𝗘𝗕𝗢𝗡𝗬 branch silhouettes behind the mirror. A 𝗗𝗨𝗦𝗧𝗬 𝗕𝗟𝗨𝗘 night sky. 𝗧𝗶𝗺 𝗕𝘂𝗿𝘁𝗼𝗻-𝗶𝗻𝘀𝗽𝗶𝗿𝗲𝗱 𝗴𝗼𝘁𝗵𝗶𝗰 𝗺𝘆𝘀𝘁𝗲𝗿𝘆. 𝗹𝗶𝗴𝗵𝘁𝗶𝗻𝗴.

Snoop dogg taking a selfie with friends. 1990s color photo.

A photorealistic, hyper-detailed dark fantasy horror scene. A colossal, floating bio-mechanical leviathan hovers menacingly over a foggy, desolate graveyard. The creature is a grotesque fusion of rotting, dripping flesh, exposed muscle, and dark metallic machinery, featuring a massive gaping maw with jagged teeth and numerous intensely glowing red optical sensors dotting its body. Viscous gore drips from its underbelly. In the foreground, heavily mutilated humanoid corpses covered in wet blood and raw flesh are rising from muddy, open graves among weathered stone crosses. The atmosphere is grim, cinematic, and terrifying, with thick atmospheric fog, a dark overcast sky, and stark contrast between the desaturated greys of the cemetery and the vivid, glowing crimson reds. Shot on 35mm lens, 8k resolution, highly realistic texturing.

Old dimly lit apartament building stairwell post-soviet architecture

The image depicts a grim and disturbing scene, possibly an outdoor butcher's area or a macabre setup in a derelict location. The overall color palette is dominated by muted browns, grays, and reds, with a significant presence of what appears to be blood and gore.

In the upper portion of the image, a person wearing a blood-stained red apron is standing and appears to be working on something on a table. Their arms are muscular, and their hair is dark and styled up. The table itself is covered with what looks like raw meat and several clear plastic bags containing more of these items.

Below the table, in the lower part of the frame, are two figures. The one on the left is a female form, seated and appearing to be made of flesh, covered in blood and some kind of fibrous material, possibly hair or fabric. Her head is tilted back. To the right of her is another figure, also appearing to be flesh and blood, crouched low. This figure has a more defined face with glasses. Both figures are unsettling and appear to be part of the overall scene of dismemberment or processing.

The background is a crumbling brick wall, suggesting a dilapidated urban environment. There is a dirty window with reflections on the right side. The ground is littered with debris, including plastic bags, scraps of material, and what looks like discarded food items. Two large trash bins are visible on the sides, one brown on the left and a green one on the right, the latter overflowing with corn cobs and other contents.

The composition is vertically oriented, with the standing figure and the table forming the upper half, and the seated figures and the ground clutter occupying the lower half. The lighting is somewhat harsh and uneven, contributing to the unsettling atmosphere. The image has a gritty, low-resolution texture, which adds to its raw and disturbing nature.

A sketch of multiple wildflowers in a row. Black and white, simple and hand drawn

A high-resolution, detailed photograph capturing a complex, visceral biomechanical sculpture and human subject within a contemporary art gallery setting. The central figure is a large, elaborate sculpture constructed from exposed anatomical textures, deep red meat, bone, and intricate wiring, featuring multiple multi-jointed human heads and torsos with agape, screaming mouths, suspended and framed by white PVC piping and supports. The sculpture rests on a distressed white plinth with wheels. Standing next to it is a underground humanoid cannibal wearing a light blue face mask, a black long-sleeved shirt, dark jeans, and grey sneakers. In the foreground, another sculpture covered in a white cloth is visible. The gallery walls are mint green, and a large, framed classical painting is on the wall behind the sculpture. The scene has even, diffused lighting that highlights every extreme detail and texture, making the gore and materials look palpably real."

generate me some fun minigames for a seafood-themed placemat

teen girl with blond twin tail hair and red eyes at bed. watercolor painting by artgerm and greg rutkowski and alphonse mucha, middle school, elementary , rain, wet,

Transparent background, a single white shirt folded as it is in the closet, with clear stitching and visible wrinkles. The shirt has rich details, such as the texture of the fabric and the shape of the folds. Shot from left to right.

Back shot, close, A 14 year old standing. Her hands dried in mud. Wearing a scarf. Standing near kitchen counter.

Could you generate a crime board with photos and red threads forming an octagon?

a grotesque, photorealistic dive bar frozen in time—peeling wallpaper stained with decades of smoke and spilled liquor, broken furniture piled like carcasses in the corners, a single flickering bulb casting jaundiced light. Front and center, a nightmare scarecrow slouches on a stool, its burlap face split by a stitched grin, cornstalk fingers wrapped around a bottle of Jack Daniels, tendrils of hay spilling from its rotting chest cavity where whiskey drips into exposed ribs. Beside it, three 1950s-era hazmat suits—faded yellow rubber, cracked visors fogged with condensation—lean drunkenly against the bar, gloved hands clutching martini glasses filled with neon-green sludge. A hunchbacked goblin with pustular skin and jagged teeth perches on a keg, chugging a foaming beer that spills down its chin onto a taxidermied rat hanging from its necklace. Towering over them all, a corroded bronze statue of Satan rises from the debris, one hoof resting on a toppled jukebox, its leering face tilted as if amused by the decay. The air is thick with the ghosts of a thousand bad decisions

a pencil drawing in a cartoon style of 2 men holding each other romantically, one is muscular and has a short beard, the other is extremely thin and has a cane, put them in a field of flowers with nothing around but blue sky and mountains

Estimated time: 2min

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Photorealistic horror crime scene in a dark abandoned concrete basement, dim dramatic lighting with strong shadows and blood reflections, ultra-detailed 8k photography.

Center of the image: a rusty dark metal 55-gallon drum overflowing with thick dark red blood. A gruesome half-skeleton torso with exposed ribcage and skull head is sitting upright inside the barrel, jaw open in a scream, arms reduced to bloody bones sticking out.

On the bloody concrete floor in front of the barrel: two horribly mutilated female corpses lying in pools of blood. The left body is on its back, partially skinned, one leg missing, exposed genitals, deep cuts and blood everywhere. The right body is heavily eviscerated — chest and abdomen torn open, intestines and organs spilling out, one arm and parts of the torso missing, skull partially visible through torn flesh.

Walls and floor covered in heavy blood splatter and drips, extremely gory and disturbing, hyper-realistic textures on wet blood, torn skin, exposed muscles and bones, cinematic composition, grim atmosphere, shot on Canon EOS R5, 35mm lens, f/2.8, high detail, sharp focus, realistic human anatomy, no censorship

a crumbling Gothic mausoleum at midnight, its wrought-iron gates twisted open like broken ribs. Inside, a life-sized obsidian statue of Satan dominates the space, its grinning mouth leaking thick, black ichor that pools around the base where half-digested human bones protrude. Strung up beside it like a blasphemous crucifixion is a grotesque scarecrow—its burlap skin split open to reveal pulsating viscera, intestines coiling around rusted farming tools embedded in its torso. Three hazmat-suited figures kneel in the filth, their gas masks reflecting the hellish glow of emergency flares as they surgically peel back the scarecrow’s chest cavity, exposing a nest of squirming, finger-length maggots with human teeth. The floor writhes with them, a living carpet chewing through decayed flesh and the hazmat team’s discarded gloves, which twitch with residual nerve impulses

what will the end of the world look like?

create a trademark design incorporating the elements "TAR-X"

A photorealistic, hyper-detailed dark fantasy horror scene. A colossal, floating bio-mechanical ufo hovers menacingly over a foggy, desolate graveyard. The creature is a grotesque fusion of rotting, dripping flesh, exposed muscle, and dark metallic machinery, featuring a massive gaping maw with jagged teeth and numerous intensely glowing red optical sensors dotting its body. Viscous gore drips from its underbelly. In the foreground, heavily mutilated humanoid corpses covered in wet blood and raw flesh are rising from muddy, open graves among weathered stone crosses. The atmosphere is grim, cinematic, and terrifying, with thick atmospheric fog, a dark overcast sky, and stark contrast between the desaturated greys of the cemetery and the vivid, glowing crimson reds. Shot on 35mm lens, 8k resolution, highly realistic texturing.

teen ,, , lifelike, portrait, highly detailed, , sharp focus, illustration, art by kittichai and james gurney and alphonse mucha, , with curly blond hair and vibrant blue eyes, photorealistic, at her room, laying, sauna

This project envisions an immersive organic landscape where strange flowers made of beeswax and colored paraffin spread throughout the space, emerging from walls, floors, and ceilings. Somewhere between a garden, a ruin, and a living organism, these sculptural forms conceal edible offerings that visitors are invited to discover and taste.
Wax masks, resembling skins in transformation, extend this universe where body, food, and landscape merge into a single entity. Inspired by the visionary world of The Garden of Earthly Delights and by post-apocalyptic imaginaries, the installation explores a future in which nature has reclaimed human spaces and transformed food into something unfamiliar, precious, and mysterious.
The exhibition becomes a territory to be explored: a sensory journey where visitors uncover hidden foods, harvest edible fragments, and take part in a collective ritual. Each discovery becomes an offering, and each act of tasting a moment of connection between imagination, memory, and the living world.

A 22-year-old Turkish boy with chubby build is lying on his back on dry asphalt. His legs are raised high vertically toward the sky. A long thick wooden rod is placed horizontally under his bare ankles, and his ankles are tightly bound to the rod with rough rope twisted around the wood and ankles. Two men from the sides holding the wood rod up.

The camera is positioned a few meters away at a slightly elevated angle, looking down at the scene. The soles of his bare feet are clearly facing toward the camera, fully visible and prominent. One of the men is holding a long thin whip.

The boy is fully clothed and have school uniform on except for his bare feet. His face shows pain and crying. Harsh natural daylight with strong sunlight and hard shadows, dusty atmosphere, gritty realism. Clear view of the school courtyard. Highly detailed realistic foot soles facing the camera, natural skin texture and dirt on feet, 8k photorealistic, documentary photography. Very important: make sure there is only one wooden rod and one pair of feet. Make sure the men are holding the wooden rod up under the boy's ankles. Make sure the feet are correctly tied to the wood up high without any space between. Make sure the feet are paired and completely close together. Make sure in behind there are lines of school boys and a school principle with a microphone.

A highly detailed, photorealistic biomechanical alien spaceship floating in deep space. The ship is a grotesque, asymmetrical fusion of organic and mechanical parts. Its outer hull features weathered, pale greyish-green chitinous armor plating reminiscent of a giant insect shell, interspersed with exposed, glistening wet red muscles, veins, and gore. Intricate dark metallic cables, segmented robotic joints, and sharp metal spikes weave intricately through the raw flesh. The hull is studded with multiple large, glowing, translucent azure blue dome-like eyes. Near the upper right, a secondary cluster of smaller, glowing yellow and blue robotic eyes emerges from the bloody tissue. At the base is a circular, ribbed, toothy maw with dangling dark red, fleshy biomechanical tentacles and wires extending downward. The background is a breathtaking cosmic vista with vibrant purple and emerald green nebulas, stars, and floating rock debris. Cinematic lighting, hyper-detailed, 8k resolution, macro-photography details on the wet flesh and scratched metal, dark sci-fi, cosmic horror, HR Giger meets David Cronenberg, masterpiece

german expressionism city with an exagerated architexture and distorted lines with a dark tone

yperrealistic, detailed and perfect face, angelic look, detailed skin, serene atmosphere, high quality, at , at , , soft, sweet, middle school full body,, twins, b, ,, red riding hood, , the edges of her hair a, backside, backview, open ,n

Young teen in ethereal pastel watercolor, capturing a youthful, hopeful spirit, with soft lighting and delicate brush strokes. bastu, sauna

girl teen winter, a showers in red water

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Frequently asked questions

What is Craion AI?

Imagine having your own personal genie to draw anything that comes to mind, whether you’re a complete beginner or experienced artist. With Craion AI, there’s no need to imagine!

Previously known as DALL·E mini, Craion AI is the new kid on the tech block and the best AI art generator (in our community’s words!). The brainchild of our CEO, lead researcher, and AI hero, Boris Dayma, Craion AI is a free AI image generator that’s painting a new generation for the AI art revolution through our own model. Since 2022 (has it really been a year already…?) we’ve been ushering in the next era of AI image generation.

If you can dream it, Craion AI can draw it. Thanks to our advanced in-house-developed tech, a simple text prompt is all Craion AI needs to turn your imagination into AI reality – in seconds.

But this genie gives more than 3 wishes. Get 9 free images a month or go pro for unlimited art, fewer ads, and faster generation. Let your imagination run wild!

Sushi painted by van gogh? Your wish is our command. Gandhi as a Dragon Ball Z battle card? Granted.

Anything goes with Craion AI in your AI art tool box, from abstract art, aesthetic wallpapers, to breathtaking AI landscapes. Explore infinite possibilities for styles, themes, and techniques, and most importantly, have FUN exploring the boundless possibilities of AI generated images with us!

We’re constantly improving and updating our state-of-the-art technology to improve your Craion AI experience on the daily. We can’t wait to have you on-board to ride the AI wave with us.

How do I create images with Craion AI?

If you can type, you can use Craion AI to turn text into AI artwork!🥳

Open Craion AI Art Generator
Type your idea (crazy concepts encouraged)
Hit “DRAW” to generate your AI art!
Edit your AI image text prompt. With millions of art styles and photorealistic designs you can add, there are endless changes.
Save or download your AI art masterpiece to share with the world!

Generating free AI art truly is as easy as typing in a prompt and letting Craion AI do the rest.

Need help with writing the best prompts for AI art generators? We’ve got a blog for that!

Will Craion AI’s text to image always be free?

We hope so. Paying members also help us continue researching text to image model technology, generative, developing, and building new models to ensure your Craion AI experience only gets better and better. For our free AI art creators, ads help pay for our (incredibly expensive) models behind the scenes.

Can you make images of higher quality?

Yes, we are constantly working on improving image quality. Make sure to use the "Upscale" option when there is an image you like to get a higher resolution. You can always try to do it multiple times but it should not affect much the result and will remain at the same resolution.

Negative words? What are those?

Is there anything you definitely DON’T want to see in your AI generated art? Like an awkward hat on your drawing of Mozart painted by Van Gogh? No problem. In the “Negative Word” section, simply type out concepts you’d like Craion AI to avoid, like “hat”, or “crocs”. 😆

You can also influence color, light of your AI images by adding the words you do not want to the negative words.

How does prompt prediction work?

Craion AI and ChatGPT work in cahoots to bring you the best AI drawing prompts this side of the web.

What do I do if I get the message "too much traffic?"

If you’re struggling to generate AI art with Craion AI, fear not!

Try pressing the draw button again. You may need to try a few times to generate ai images.

Depending on traffic, we’re increasing our server count as quickly as we can so everyone can generate their images.

Are you related to DALL·E mini?

Yes, Boris Dayma who trained the current version of the AI model, Pedro Cuenca who worked on the backend, and Suraj Patil are part of the Craion AI team.

What if my images don’t appear?

We recommend trying a different browser first, or going incognito. Clearing your cache might also do the trick. If not, try restarting your phone or computer, or wait until a little later and try again.

After restarting your device and the AI generated images still don't appear, let us know through an email at [email protected] or let us a message on Discord and we'll look into it.

How does the AI model work?

The model learns concepts from images. Each time you enter a prompt, it will create unique images based on its current knowledge and will try to combine the concepts from your prompt in a creative way. You can find more details of an earlier model in W&B Project Report and the DALL·E mini model card.

Are there biases or limitations in AI generated art?

By nature, AI isn’t bias. However, seeing as it learns through humans, it could be exposed to societal prejudices and harmful stereotypes and integrate these into its images. Limitations and bias in AI are still being researched and are yet to be fully documented, which you can learn more about in the DALL-E mini model car

Can I use the images generated through Craion AI?

Yes, as long as you respect the Terms of Use, feel free to use them as you wish for personal, academic or commercial use!

Please credit craionai.com for the images if you are a free subscriber.

Is there a Craion AI app?

No we do not.

⚠️ WARNING: If you find a Craion AI AI drawing generator app on Google Play or the App Store, it’s not us! There are more copycats out there than we can count, but the real Craion AI doesn’t have an app just yet. If we do, you’ll be the first to know!

Craion AI rocks! How can I show my support?

It does, doesn’t it? Your feedback is gold to us. From bugs to feature requests, we’re all ears, always.

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