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Draw me a mythological dragon flying through the sky above a village, breathing fire on the houses
Director cinema's chair as a building inspired in the german expressionism architecture, exagerated forms, surreal  and deformed lines. Dark tone. The chair must be a building, transformed as a building
Draw me a mythological dragon flying through the sky above a village, breathing fire on the houses
This project envisions an immersive organic landscape where strange flowers made of beeswax and colored paraffin spread throughout the space, emerging from walls, floors, and ceilings. Somewhere between a garden, a ruin, and a living organism, these sculptural forms conceal edible offerings that visitors are invited to discover and taste.
Wax masks, resembling skins in transformation, extend this universe where body, food, and landscape merge into a single entity. Inspired by the visionary world of The Garden of Earthly Delights and by post-apocalyptic imaginaries, the installation explores a future in which nature has reclaimed human spaces and transformed food into something unfamiliar, precious, and mysterious.
The exhibition becomes a territory to be explored: a sensory journey where visitors uncover hidden foods, harvest edible fragments, and take part in a collective ritual. Each discovery becomes an offering, and each act of tasting a moment of connection between imagination, memory, and the living world.
Draw me a mythological dragon flying through the sky above a village, breathing fire on the houses
Close-up of room number 213 outside hostel room door, dim corridor light flickering
german expressionism city with an exagerated architexture and distorted lines with a dark tone
a beautiful woman dancing ,full view,512×512
 Chapter 1— A Messed Up Mess
“Eww,” Emily said smirking, “I just stepped on a unfinished yogurt cup!” “You’d better watch out where you’re walking,” Kyle laughed. BAM! “Ouch.” Kyle mumbled. “You okay Kyle?”, Owen reached out to pull Kyle up. “Yup. I’m fi…” Emily and Lacey burst out laughing. “You’d better watch out where you are walking!”, Lacey snorted, “And don’t forget not to slip on Mr. Grudge’s banana peels!” Kyle scowled at them, rubbing his sore elbow. “Don’t worry Kyle,” Mattias whispered to Kyle, putting his arm around Kyle’s shoulders, “They’ll stop it after a while.” It was summer break for Kyle and his friends tomorrow, and they were walking back home from school. “I have a feeling that we need to do something about all these trash,” Owen suddenly said. “Yeah,” Mattias continued, “Hey guys why don’t we start cleaning up these trash tomorrow, at least we don’t have school.” Lacey asked Emily, “ We will work together to clean Calverstream Street, won’t we, Emily?” “Of course!” Emily retorted. Just then, Kyle suddenly took off running, “Meet you at Calverstream Street at 8 am tomorrow!” he yelled.
Illustrate the character Megaman in the art style of the Super Nes' game Super Mario RPG, add also a classic Megaman background but turned into the same Super Mario RPG art style.
Slow zoom toward glowing hostel room window, surrounding darkness, distant wind sounds, creepy atmosphere
City inspired in the german expressionism architecture, exagerated forms, surreal buildings and deformed lines. Dark tone
Draw me a mythological dragon flying through the sky above a village, breathing fire on the houses
a crumbling Gothic mausoleum at midnight, its wrought-iron gates twisted open like broken ribs. Inside, a life-sized obsidian statue of Satan dominates the space, its grinning mouth leaking thick, black ichor that pools around the base where half-digested human bones protrude. Strung up beside it like a blasphemous crucifixion is a grotesque scarecrow—its burlap skin split open to reveal pulsating viscera, intestines coiling around rusted farming tools embedded in its torso. Three hazmat-suited figures kneel in the filth, their gas masks reflecting the hellish glow of emergency flares as they surgically peel back the scarecrow’s chest cavity, exposing a nest of squirming, finger-length maggots with human teeth. The floor writhes with them, a living carpet chewing through decayed flesh and the hazmat team’s discarded gloves, which twitch with residual nerve impulses
Draw me a mythological dragon flying through the sky above a village, breathing fire on the houses
A sketch of multiple wildflowers  in a row. Black and white, simple and hand drawn
A high-resolution, detailed photograph capturing a complex, visceral biomechanical sculpture and human subject within a contemporary art gallery setting. The central figure is a large, elaborate sculpture constructed from exposed anatomical textures, deep red meat, bone, and intricate wiring, featuring multiple multi-jointed human heads and torsos with agape, screaming mouths, suspended and framed by white PVC piping and supports. The sculpture rests on a distressed white plinth with wheels. Standing next to it is a underground humanoid cannibal another sculpture covered in a white cloth is visible. The gallery walls are mint green, and a large, framed classical painting is on the wall behind the sculpture. The scene has even, diffused lighting that highlights every extreme detail and texture, making the gore and materials look palpably real."
Photorealistic horror crime scene in a dark abandoned concrete basement, dim dramatic lighting with strong shadows and blood reflections, ultra-detailed 8k photography. 

Center of the image: a rusty dark metal 55-gallon drum overflowing with thick dark red blood. A gruesome half-skeleton torso with exposed ribcage and skull head is sitting upright inside the barrel, jaw open in a scream, arms reduced to bloody bones sticking out.

On the bloody concrete floor in front of the barrel: two horribly mutilated female corpses lying in pools of blood. The left body is on its back, partially skinned, one leg missing, exposed genitals, deep cuts and blood everywhere. The right body is heavily eviscerated — chest and abdomen torn open, intestines and organs spilling out, one arm and parts of the torso missing, skull partially visible through torn flesh.

Walls and floor covered in heavy blood splatter and drips, extremely gory and disturbing, hyper-realistic textures on wet blood, torn skin, exposed muscles and bones, cinematic composition, grim atmosphere, shot on Canon EOS R5, 35mm lens, f/2.8, high detail, sharp focus, realistic human anatomy, no censorship
genreate a image of micheal jackson and esptein with kids
City inspired in the german expressionism architecture, exagerated forms, surreal buildings and deformed lines. Dark tone

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